A lot of artists and singer-songwriters are using loops to create their songs. This is a creative, easy, and fun way to get ideas going. However, often these loops need help to work together. They must create a coherent and consistent mix and production. This ensures they don’t distract listeners or feel wrong. In this example, the two separate drum loops used had very different kick sounds. So, I added a sample from my library, originally from my OP1, to the softer drum loop. This was done to make it feel more similar. Sometimes being a mix engineer means doing more than just balancing exactly the tracks I’m sent. This is where I draw on my Production and Musical skills and knowledge but also my strong ear that notices these things.
Tag: solo artist
“you’ve really worked your magic on this one haven’t you – i love the outcome!”
A little before and after mixing video for Beth Sarah’s song Collide.
Beth had done a great job of recording Collide on her home setup but she really wanted this dreamy, lush folky song about being in love to sound more rich, deep and textured and have more of a spacious & immersive feel. It took me a day to mix as well as adding soft synth bass, chimes and some subtle, extra strings. What do you think? Hopefully that it sounds better
new release – the end by cherry june
Mixing & additional production by me
Really enjoyed working on The End by Cherry June which came out on 27th June. A poignant, melancholy & dreamy indie folk song inspired by Phoebe Bridgers & Lucy Dacus. Written & recorded by Cherry June. Additional production, mixing & mastering by me. Bass, drums & synths by me. Guitars, vocals & synths by Cherry June.
THE ALTERNATE UNIVERSE OF SMALL MIRACLES BY DAMON BROCK
Damon Brock, Small Miracles. Recorded, arranged, produced and mixed by me. The brief and vision for this was for the source sounds to all be ‘real’ instruments but to use effects, editing and processing to add layers of other-worldly atmospheres. To create a sense of space within an alternate, warped reality. At it’s root, the song has a fairly traditional melody and harmony and Damon didn’t want this EP to veer too far from a ‘band’ sound (I did get a bit carried away on this one tbh). The track count is pretty low & the overall sound feels like a blend of the familiar with the unfamiliar. . Vocals & acoustic guitar by Damon Brock Electric guitars, acoustic guitars, bass, keys, drums & percussion by Steve Baker
Why Self-Producing Artists Struggle to Finish Songs — and How to Fix It
If you’re an artist who writes, records, and produces your own music, you’ve probably experienced the frustrating limbo of having a mostly finished track sitting in your DAW — weeks (or months) after the initial inspiration.
The core idea is strong.
The parts are mostly there.
But something’s not clicking — and you can’t quite tell why.
You tweak the snare. You double the chorus vocal. You throw another plugin on the master bus. And still, the track doesn’t feel done.
Sound familiar?
You’re not broken. You’re just doing too many jobs at once — and here’s what to do about it.
The 3 Big Reasons Self-Producers Struggle to Finish Songs
1. You’re Too Close to It
When you’ve spent hours recording, editing, comping, and mixing your own track, your brain stops being able to hear it objectively. This is real. It’s called listener fatigue — but it’s also emotional bias (‘demo-itis’). You’re attached to the work because you built it from scratch.
You start to lose the ability to tell whether the vocal’s too loud or just louder than you’re used to. Whether that middle eight is actually boring or you’re just sick of hearing it.
2. You Don’t Have a Clear Finish Line
Most self-producing artists know how to start — but not how to finish. You chase a vibe, build out a section, add parts… and then what? How do you know when it’s enough?
Without an outside perspective or a clear goal, you can fall into endless tinkering mode. This is where good songs go to die.
3. You’re Playing Too Many Roles
You’re being the songwriter, the arranger, the producer, the engineer, and the mixer. That’s a lot of hats — and none of them are getting your full attention.
It’s like trying to write a novel, design the cover, edit the manuscript, typeset the pages, and do the marketing… all at once. Even if you can do all those things, should you?
How to Fix It (Without Selling Your Soul to a Label or an Algorithm)
1. Define the Goal Before You Hit Record
Is this a single you plan to release? A song for your EP? A sketch to send to a collaborator?
Knowing what job the song needs to do helps you make better decisions and avoid the “maybe I should add a sax solo?” spiral.
2. Bring in an Outside Ear
This doesn’t have to mean giving up creative control. It means letting someone else hear the song with fresh ears and help you make decisions — even if that’s just “this part’s working, this part isn’t.”
A good producer or mix engineer (hello 👋) helps you keep the emotion intact while solving the technical and creative problems you’re too deep inside to see.
3. Work in Stages, Not Spirals
Set yourself mini-deadlines:
- Song is written = done
- Rough production is done = done
- Arrangement locked = done
- Mixing tweaks only = done
Each of these stages a decision point. Every time you say “done,” you get closer to releasing. Avoid the endless loop of “what if” by making one choice at a time.
Bottom Line: Finishing Is a Skill — and a Team Sport
If you’re making music alone, it’s easy to think you should be able to do it all.
But the truth is, every great record is finished by more than one person — even the ones that sound DIY.
So if you’re stuck, it doesn’t mean you’re not good enough. It just means you’re ready for that next level of collaboration. And that’s where I come in.
If you’ve got a track in limbo, send it my way — I’ll tell you what it needs (and what it doesn’t). No pressure. Just honest ears and a plan to help you finish.
production walkthrough – country urban dance pop (?)
First time for everything! Had a blast co-writing, arranging, producing, recording and mixing a Country tinged, urban dance pop track for a client whose references included the recent #beyoncé album. 12k streams so far (Spotify) but we still don’t know what genre it is. Never heard or made anything like it! Here’s a short edit of my production walk-through for those with short attention spans (so everyone!). Comment if you know the genre too.
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Track: Hazel Jean. Commissioned to launch fashion brand Hazel Jean
the artist and songwriter’s goals for their music frames the entire production & mixing process
When I’m producing for an artist, it’s important to find out their goals, listen to their reference tracks and have a good pre-production session – all of this before I start building the initial track. I’m setting things up for success & staying on track. What are your goals for your next song or album? Work with me on your songs. I help solo artists, singer-songwriters and bands to sound better than they imagined.
uPDATED YOUTUBE PLAYLIST OF MY PRODUCTION, RECORDING AND MIXING WORK
I have updated and re-ordered the playlist of songs. I recorded, produced, arranged, and mixed them for independent singer-songwriters and artists. It’s also featured on the ‘Hear my work’ page of this site. Hope you enjoy the songs!
Top Brighton-Based Solo Artists & bands You Should Be Listening To Right Now
Brighton has long been known for its vibrant music scene, a hub for creativity and innovation that has produced some of the UK’s most exciting solo artists. From indie pop to electronic beats, the city’s diverse talent offers something for everyone. As a freelance music producer based in Brighton, I’ve had the privilege of working within this inspiring community for over 20 years and witnessing its growth firsthand. Here are some of the top Brighton-based solo artists you should have on your radar right now.
1. Holly Macve
https://www.instagram.com/hollymacve/
Holly Macve’s haunting voice and poetic songwriting have captivated audiences worldwide. With influences ranging from Americana to folk, her music is both timeless and deeply emotive.
- Why Listen? Holly’s ability to transport listeners with her storytelling and ethereal sound is unparalleled.
- Top Tracks to Start With: “No One Has The Answers” and “Heartbreak Blues.”
2. Sock Drawer
https://www.instagram.com/sockdrawerband/
Sock Drawer’s lo-fi indie style blends intimate storytelling with raw, minimalistic production. Their music feels personal and relatable, making them a standout act in Brighton’s solo artist scene. Lead vocalist Ebony Grace is also a fantastic solo artist in her own right but this partnership with guitarist / Producer & songwriter Michael Baker produces some fine music with layers that neither could achieve in their own solo work.
- Why Listen? Sock Drawer’s heartfelt lyrics and stripped-down sound are perfect for fans of lo-fi and indie music.
- Top Tracks to Start With: “Bedroom Serenade” and “Lost in the Sheets.”
3. Frankie Knight
https://www.instagram.com/missfknight/
Frankie Knight’s ethereal, electronic-infused music creates a dreamlike atmosphere that lingers long after listening. Her unique blend of ambient sounds and haunting vocals sets her apart.
- Why Listen? Frankie’s music offers a mesmerizing escape, perfect for fans of experimental electronica.
- Top Tracks to Start With: “Xenon” and “Saviour Complex.”
4. Fruity Water
https://www.instagram.com/fruitywaterband/
Fruity Water combines quirky, introspective lyrics with dreamy, electronic-tinged indie pop. Their distinctive sound and captivating performances have made them a staple in Brighton’s music scene. They run a quarterly electronic music party at which I’ll be performing later this month with my solo project Champion Fever.
- Why Listen? Fruity Water’s unique blend of electronic and indie elements creates a refreshing and memorable listening experience.
- Top Tracks to Start With: “Uvula” and “Big Wow.”
5. Michael Baker
https://www.instagram.com/michaelbakermusic/
No relation; Michael Baker’s heartfelt acoustic music and introspective lyrics have earned him a loyal following. His stripped-back style allows his emotive storytelling to shine.
- Why Listen? Michael’s raw, honest performances are a reminder of the power of simplicity in music.
- Top Tracks to Start With: “Dust & Bone” and “Hastings.”
6. Plantoid
https://www.instagram.com/plantoidworld/
Plantoid crafts experimental electronic soundscapes that push the boundaries of conventional music. Combining organic textures with cutting-edge production, their work is both innovative and deeply atmospheric. Having seen them live several times over the last few years, most recently at Mutations Festival, it feels like they’re peaking!
- Why Listen? Plantoid’s ability to blend natural and synthetic sounds creates a truly immersive listening experience.
- Top Tracks to Start With: “Photosynthèse” and “Rooted.”
Why Brighton’s Music Scene Matters
Brighton’s music scene thrives on its sense of community and collaboration. As a Producer, I’ve seen how this environment fosters creativity and helps artists push boundaries. Whether you’re a fan, a musician, or both, supporting local talent ensures the scene continues to flourish.
If you’re a solo artist in Brighton looking to develop your sound, I’d love to help bring your vision to life. Let’s collaborate and create something that goes beyond what you can you imagine!
Who’s on Your Radar?
These are just a few of the incredible solo artists coming out of Brighton. Who are your favourite Brighton-based musicians? Let me know in the comments or get in touch—I’m always on the lookout for new talent to feature and collaborate with!
REMIXING MEZZ COLEMAN – INSTAGRAM LIVE CHAT SNIPPET
Brighton based Music Producer Steve Baker talks to indie soul artist Mezz Coleman about the benefits of getting a song remixed.
Steve Baker 